[1]万军,张瑞迪.从边缘文化到公共文化:方岩庙会的现代传承[J].温州大学学报(社会科学版),2016,(04):033-39.
 WAN Jun,ZHANG Ruidi.Modern Inheritance of Fang Mountain Temple Fair: from Marginal Culture to Public Culture[J].Journal of Wenzhou University,2016,(04):033-39.
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从边缘文化到公共文化:方岩庙会的现代传承
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《温州大学学报》(社会科学版)[ISSN:1674-3555/CN:33-1345/C]

卷:
期数:
2016年04期
页码:
033-39
栏目:
民俗学与非物质文化遗产研究
出版日期:
2016-07-25

文章信息/Info

Title:
Modern Inheritance of Fang Mountain Temple Fair: from Marginal Culture to Public Culture
作者:
万军1张瑞迪2
1.温州大学图书馆,浙江温州 325035;2.哈尔滨市天天向上教育培训中心,黑龙江哈尔滨 150000
Author(s):
WAN Jun1 ZHANG Ruidi2
1. Wenzhou University Library, Wenzhou, China 325035;2. Do Better Every Day Education Training Center of Harbin, Harbin, China 150000
关键词:
边缘文化公共文化方岩庙会胡公崇拜
Keywords:
Marginal Culture Public Culture Fang Mountain Temple Fair Worship of Hu God
分类号:
B933;K892
文献标志码:
A
摘要:
方岩庙会在现代社会变革中曾被当作落后文化而处于边缘地位,改革开放以来回归民众日常生活并进入各级非物质文化遗产名录,从而成为社会公共文化。在非物质文化遗产保护工作中,应使当地民众保持在方岩庙会活动中的主体性,并使民间文艺展演保持生活化和本真性状态,防止其非自然的“雅化”倾向。
Abstract:
Fang Mountain temple fair is regarded as a backward culture and placed at marginal status in the course of modern social transformation. Since reform and opening-up, Fang mountain temple fair has returned to people’s daily life and rated as intangible cultural heritage at different levels in China. Thus it has become a kind of public culture. In the protection of the intangible cultural heritage, we should make the people keep their subjectivity in the activities of Fang Mountain temple fair, and make folk performances keep their lifestyle and authenticity and avoid its unnatural tendency of “becoming elegant”.

参考文献/References:

[1] 胡国钧. 胡公大帝信仰与方岩庙会: 浙江省永康县方岩胡公庙会调查[C] // 姜彬. 中国民间文化: 第4集. 上海: 学林出版社, 1991: 197.
[2] 高丙中. 作为公共文化的非物质文化遗产[J]. 文艺研究, 2008, (2): 77-83.

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[1]胡铸鑫,胡正裕.太公祭的公共化历程[J].温州大学学报(社会科学版),2018,(05):038.
 HU Zhuxin,HU Zhengyu.The Popularization Procedure of Liu Ji Sacrificial Rite[J].Journal of Wenzhou University,2018,(04):038.

备注/Memo

备注/Memo:
收稿日期:2016-01-15
作者简介:万军(1963- ),男,安徽芜湖人,讲师,研究方向:历史文献及地方民俗
更新日期/Last Update: 2016-07-25