[1]邵殳墨.从南戏《张协状元》看“末”脚的机趣之美[J].温州大学学报(社会科学版),2020,(05):082-90.
 SHAO Shumo.A Study on the Witty Beauty of the “Mo” Role from Nanxi (Southern Drama) of Top Scholar Zhang Xie[J].Journal of Wenzhou University,2020,(05):082-90.
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从南戏《张协状元》看“末”脚的机趣之美
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《温州大学学报》(社会科学版)[ISSN:1674-3555/CN:33-1345/C]

卷:
期数:
2020年05期
页码:
082-90
栏目:
中国古代文学研究
出版日期:
2020-09-25

文章信息/Info

Title:
A Study on the Witty Beauty of the “Mo” Role from Nanxi (Southern Drama) of Top Scholar Zhang Xie
作者:
邵殳墨12
1.浙江警察学院公共基础部,浙江杭州 310053;2.上海师范大学人文学院,上海 200234
Author(s):
SHAO Shumo
1. Department of Public Infrastructure, Zhejiang Police College, Hangzhou, China 310053; 2. School of Humanities, Shanghai Normal University, Shanghai, China 200234
关键词:
南戏《张协状元》“末”脚机趣宋杂剧
Keywords:
Nanxi (Southern Drama) Top Scholar Zhang Xie “Mo” Role Wit Song Dynasty’s Drama
分类号:
I237.2
文献标志码:
A
摘要:
南戏《张协状元》中的“末”脚看似游离于戏剧之外,但实际贯穿于全剧之中,具体表现为“末”脚的开场及与“净”“丑”等脚色的配合性表演。“末”脚的游离和配合性表演在语言及表演方面体现出反讽、机巧、智慧、风趣、深刻、超然的机趣之美。这种语言风格和表演模式会通禅宗,承继优戏、参军戏、宋杂剧,反映出戏剧发展中的时代文化背景和脚色传承。
Abstract:
The “Mo” role in Nanxi (Southern Drama) of Top Scholar Zhang Xie seems to be outside the drama, but it actually runs through the drama plot from beginning to end, as proved by its opening and its cooperation with roles like “Jing” (the painted face) and “Chou”(the clown). The free and cooperative performance of the “Mo” role reflects the irony, cleverness, wisdom, humor, depth, and transcendental beauty of the language and performance. This language style and performance are connected with Zen Buddhism and inherit the excellent dramas and the poetic dramas of the Song Dynasty, reflecting the cultural background and role inheritance of the times in the development of drama.

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备注/Memo

备注/Memo:
收稿日期:2019-04-21
作者简介:邵殳墨(1987- ),女,山东济宁人,博士研究生,研究方向:中国俗文学,戏剧戏曲学
更新日期/Last Update: 2020-09-25