[1]包建强.南戏留存剧目检讨[J].温州大学学报(社会科学版),2019,(01):019-25.
 BAO Jianqiang.A Review on Retained Repertoire of Nanxi (Southern Drama)[J].Journal of Wenzhou University,2019,(01):019-25.
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南戏留存剧目检讨
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《温州大学学报》(社会科学版)[ISSN:1674-3555/CN:33-1345/C]

卷:
期数:
2019年01期
页码:
019-25
栏目:
南戏研究
出版日期:
2019-01-25

文章信息/Info

Title:
A Review on Retained Repertoire of Nanxi (Southern Drama)
作者:
包建强
兰州城市学院文史学院,甘肃兰州 730070
Author(s):
BAO Jianqiang
School of literature and history, Lanzhou City University, Lanzhou, China 730070
关键词:
南戏留存剧目特征
Keywords:
Nanxi(Southern Opera) Retained Repertoire Feature
分类号:
I207.37
文献标志码:
A
摘要:
南戏于北宋末诞生,在民间盛行不衰。元末上层文人措手南戏,明中叶被雅化的南戏进入上层社会称为传奇,至此南戏于雅、俗两途并行。晚清花部繁兴,南戏进入地方戏。留存于诸地方戏中的南戏剧目出现折数与剧情递减、剧中主角转移、娱人特性增强、多种南戏关目情节相揉合等特征。
Abstract:
Southern Opera, also called Nanxi in Chinese, came into being at the end of the Northern Song Dynasty. It has been prevailing in folk from then on. The literati from the upper-class in the later Yuan Dynasty took interest in Nanxi, then the refined Nanxi stepped into the upper class society in the middle of the Ming Dynasty which was something like legend. So far, Nanxi is developed between the elegant and popular circles. Until the Late Qing Dynasty with local operas prosperous, Nanxi gradually entered into the local operas. However, the number of Nanxi repertoires retained in all local operas appearing reduced and decreased progressively. Meanwhile many features like the protagonist transferred, reinforced amusement facts and combined plots produced with each passing day.

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备注/Memo

备注/Memo:
收稿日期:2018-04-09
基金项目:国家社科基金艺术学项目(17BB035),甘肃省社科规划项目(YB113)
作者简介:包建强(1972- ),男,甘肃陇西人,副教授,博士,研究方向:戏曲史与地域文化
更新日期/Last Update: 2019-01-25